October 12, 2007
Matisse
SiowFong, Lydia, and I first met Matisse eight and a half months ago when Lydia had her first portraits done at Yuen Lui at its Alderwood Mall location. We returned to that same studio in March for family portraits with Ma Wee, in July for Lydia’s portraits, and in August for Lydia’s portrait, and during those three occasions, Beryl, the studio’s permanent photographer, took the pictures.
Because Beryl had made so many of our pictures this year, SiowFong and I wanted to see what our experience would be like at another location, so we booked our family portrait that occurred this morning at 9:30 AM at the company’s Roosevelt studio. After we arrived, we were pleasantly surprised to see Matisse again.
We asked Matisse why we had not seen her at the Alderwood site during our return visits there earlier this year, and she explained that she is the Roosevelt studio’s permanent photographer and had been working for Yuen Lui for the last two years. She added that she only works at Alderwood when they need extra assistance.
We were once again impressed with our twenty minute session with Matisse. Making portraits of other people’s children can be a hard task, but Matisse demonstrated her chemistry with children as she was able to prompt Lydia to smile and to laugh during many of today’s photos. She also evidenced her attention to detail. She notified us several times during the session when she saw anything that was out of place with respect to our posture, clothing, or facial expression that would diminish the quality of the photo; as a result, we made corrections before she clicked the shutter. Finally, she did her work in an unhurried, but efficient fashion, making about fifty portraits of us using four different backgrounds and three different sets of poses. She selected twenty-four of those for us to examine, and SiowFong remarked to me that choosing the top two portraits was a daunting task because many of them were good images. We finally decided on two, and we look forward to picking these up in two to three weeks.
Photography is part technical and part artistic, and every photographer infuses his or her own style or vision into the shots that he or she makes. SiowFong and I concur that Beryl is a good photographer, but Matisse is better; consequently, we shall be returning to the Roosevelt site for our future Yuen Lui portraits.